Acrylic and Mixed Media on Four Canvas Panels, 60″ x 120″ Inches
Anita
PELAGIC, 2025
Acrylic and Mixed Media on Canvas Panels, 48 x 72 inches
AQUA COSMOS: The Hudson Canyon
Just 100 miles off New York City lies the Hudson Canyon, a vast underwater trench deeper than the Grand Canyon. First brought to light during the 1925 Arcturus expedition, the canyon revealed extraordinary biodiversity off the coasts of New York and New Jersey. Alongside scientists, women artists played a crucial yet overlooked role in the voyage, translating […]
SILENT TONGUES, 2024
Mixed Media on Canvas Panels, 72 x 96 inches
UNNERVED 2020 – On Going
UNNERVED was developed through the fEEL Lab Fellowship at the University of New South Wales. Drawing on neuroscience research, the work visualizes the body’s stress responses—mapping anxiety as color, motion, and sound. Through moving image and immersive projection, UNNERVED translates invisible states of the nervous system into shared sensory experiences. Audiences were invited to reflect […]
NY LASER
a Leonardo/ISAST In-Person Rendezvous Event Sunday, March 17, 2024 – 3:00-6:00PM ET Listen and watch the full talk here: The NY LASER program is a series of lectures and presentations on art, science, and technology-related projects and an affiliate of Leonardo/International Society for the Arts, Science and Technology (ISAST). Ellen K. Levy, PhD, artist, writer, and co-editor […]
LAGRIMA, 2023
Diptych, Mixed Media on Canvas, 72 x 36 inches
HIVE OF WORDS, 2023
Diptych, Mixed Media on Canvas Panels, 72 x 36 inches
Basilica Multi Media Installation: A GARDEN OF OUR DISCONTENT
“Anita Glesta’s hand-drawn animation series, A GARDEN OF OUR DISCONTENT: Anxiety and Wellbeingin Times of Crisis features a compilation of moving image work and video installation exploring how our body’s nuanced nervous system is affected by stress. Based on scientific research the artist conducted in fellowship with The ARC Laureate Felt Experience & Empathy Lab, UNSW Sydney, Au, […]
Unnerved – Chapter 14
Chapter 14UnnervedAnita Glesta I’m not wrong am I? To seek the pumping heart in the head, little rose on fire…( – excerpt from the poem, ‘Tongue on Fire’, developed by Abigail Wender in response to AnitaGlesta’s work, Unnerved (2021)). Fig. 14.1. Untitled, oil on canvas, 48 inches x 72 inches. Anita Glesta, 2017. My father […]
GARDEN OF DISCONTENT 2023
GARDEN OF DISCONTENT 2023 Our inner body and mind intersect with a dystopian natural environment in a not so distant vision of the disconnect.
A Hard Rain’s A – Gonna Fall
April 21 – June 15, 2023 Curated by Lara Pan Opening Reception: April 21, 5:30-7:30 pm This exhibition centers on eleven artists who each explore various realms and topics in ecological disaster to reexamine the possibilities of survival (after an ecological catastrophe) in a singular way using science to create art and art to explain […]
CYCLE INTERRUPTED, 2009, ARTPORT_Making Waves and the United Nations for the 2009 Copenhagen 15 Conference
CYCLE INTERRUPTED is a color-saturated moving image video commissioned through the video curatorial group ARTPORT_Making Waves and the United Nations for the 2009 Copenhagen 15 Conference. The commission asked for the content of this work to address how women in the third world are affected by global warming. I chose to address this subject using […]
Exhibition, “Intersections,” Arthur M. Sackler Museum of Art and Archaeology at Peking University, Beijing, 2018, PULSE
DREAM HEIST, 2023
Acrylic and Mixed Media on Canvas Panels, 72 x 72 inches
Basilica Conversation Series: Artists Mary Mattingly and Anita Glesta
For the fifth and final installment of the Basilica Conversation Series, artists Mary Mattingly and Anita Glesta speak about watersheds, cultivating ecological understanding, the role of art in imagining the future and more. Both Mattingly and Glesta have been working at Basilica Hudson during the month of October and there are many intersections between their […]
ORGANS 2021
SUM OF MY PARTS 2021
I CAN HEAR YOU, 2023
Diptych, Acrylic and Mixed Media on Canvas Panels, 72 x 56 inches
INTERNAL DANCE, 2022
Mixed Media Collage, 37 x 48 inches
ArtW, WomenWeCreate, Interviews with Women Artists. 2020
Women We Create, 4/11/2020 Anita Glesta is a New York City-based multimedia artist best known for her installations in the public and alternative venues internationally. Listen to the interview here.
LANDSCAPE OF THE HEART, 2024
Ink and Vellum on Paper, 22 x 30 inches
HEART IN DARKNESS 3, 2024
Ink and Vellum on Paper, 22 x 30 inches
LOST IN THE FIELD OF HEARS, 2024
Ink and Vellum on Paper, 30 x 22 inches
HEART IN DARKNESS 2, 2024
Ink and Vellum on Paper, 22 x 30 inches
BIRDS 2018
BIRD is a longer video that ironically juxtaposes flight birds with birds that are often “caged”. The triptych of various birds contains unexpected images such as a carniverous Kingfisher, bats unfurling their wings and a love scene between rosellas all of which intends to make the viewer think about the life of creatures that live […]
Studio International Magazine, Interview with Anna McNay 2020
Studio International, 03/31/2020 Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New York. “I am reading about, and working on, what it means when a foreign substance … enters the body, and the fragility of being human”. Read the full article here.
PORTRAIT OF A HEART IN DARKNESS 1, 2024
Ink and Vellum on Paper, 30 x 22 inches
WATERSHED 2012
WATERSHED video installed at the following venues: “The Basilica Hudson”, 2023, The Parrish Art Museum, 2020, Red Hook, Bklyn, 2017, Royal National Theater, 2015, Venice Biennale, with Artport_Making Waves, 2022.
FISH IN A CIRCLE, 2018
Ink on Paper, 22 x 30 inches
PUTTI FOR SARA 2012
FISH DRAWING, 2018
Graphite on Paper, 36 x 44 inches
TAKOTSUBO (OCTOPUS CATCHER), 2025
Ink and Vellum on Paper, 30 x 22 inches
UNTITLED, 2025
Ink and Vellum on Paper, 32 X 20 inches
THE CANYON, 2025
Ink on Paper, 24 x 16 inches
WATER STUDY (1), 2024
Ink on Paper, 22 x 30 inches
THE REGION, DIPTYCH (LEGS & THE REGION), 2017
Mixed Media Collage on Vellum, 30 x 36 inches
LEGS, DIPTYCH (LEGS & THE REGION), 2017
Mixed Media & Collage, 33 x 36 inches
THREE HEADS ARE BETTER, 2022
Original Limited Edition Print from Animation, 30 x 40 inches
Intimate Transgressions: The Act of Doing
OCTOBER 1, 2015 Panel at the Brooklyn Museum Watch the Panel here. PARTICIPANTS: Anita Glesta, Fion Gunn, Eleanor Heartney, Shirin Neshat, Luisa Valenzuela, Marjorie Martay A discussion of art’s role in raising awareness of war, genocide, rape, and sexual violence, as well as the ways that art is used as a tool for transformation in the […]
Studio International Magazine, live interview about the Royal National Theater London, WATERSHED projection 2015
Studio International, 09/30/2015 The artist talks about the motivation behind her brightly colored projection of frenzied fish on to the National Theatre as part of the Totally Thames festival. Read the full article here.
The ICEMAN Series, 2022
Limited Edition Original on Rice Paper, 40 x 30 inches
HAMMERHEAD, 2025
Original Limited Edition Print from Animation, 30 x 40 inches
INFECTION, 2022
Original Limited Edition Print from Animation, 30 x 40 inches
MONKEY MIND, 2022
Limited Edition Original Rice Paper Print, 40 x 30 inches
WYBC Yale Radio artist interview 2015
WYBC Yale Radio, 08/10/2015 Artist, author, and lecturer Brainard Carey interview Anita Gelsta whose project WATERSHED is a public art projection dealing with Climate Change that will be projected on the face of the National Theater on the Thames as part of the Totally Thames Festival in September 2015. She is also creating a work as part […]
Anita Glesta “Guernica” | MOCAK
Museum of Contemporary Art in Kraków, 11/22/2012 The bombing of Guernica during the Civil War in 1937 became history thanks to a painting by Pablo Picasso. Anita Glesta, an American artist, recalls these events in her multimedia installation.
GERNIKA/GUERNICA at The Museum of Contemporary Art Krakow 2012
Installation of project Gernika/Guernica first seen in NYC in 2007 at White Box and at Chase Manhattan Plaza with the Lower Manhattan Cultural Council.
US Census Bureau, Maryland 2010, GSA Commission
The U.S. General Services Admission Art in Architecture Program commissioned this integrated landscape work to celebrate the work of the Census Bureau while also providing a simulating outdoor environment for employees and visitors. Through numerical symbols, words, images, and forms that invite interaction, articulating our human histories was my primary concern when creating this work […]
BOMB Talks, radio and video interview, Anita Glesta and Ellen Driscoll
5/12/2010 Anita Glesta’s Gernika/Guernica, shown in Lower Manhattan in Spring 2007, juxtaposed the provocative abstraction of Picasso’s infamous painting with survivor accounts of the 1937 bombing of a Basque village. Ellen Driscoll’s sculpture Revenant, a bridge made from hundreds of number 2 plastic bottles, was recently installed at the Nippon Ginko Bank in Hiroshima, Japan, […]
NYFA Talks – Whitney Curator Elisabeth Sussman Interviews Anita Glesta
Artist Anita Glesta is interviewed by Whitney Curator Elisabeth Sussman about her recent installation “PUTTI FOR SARA” and her other work at a NYFA sponsored evening in January 2010.
TRA, 2021
TRA is an “interactive” sculpture at Parco Sculture del Chianti. It consists of two distinct parts divided by a small canyon; each of these reclining sculptures (or “platforms”) can be reached by a short, steep descent. Lying on one of the seats, the visitor finds himself in an unusual position in which he can comfortably […]
Yurong Water Gardens, Sydney Australia, 2000
One of Anita Glesta’s notable public works is located in Cook and Phillip Park, a central urban space in Sydney, Australia. Commissioned in collaboration with landscape architects Spackman & Mossop, Glesta designed a terraced water garden using indigenous sandstone. This public park opened in January 2000 as part of the City of Sydney’s initiative to […]